American Documentary, narrated by Christopher Lee

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

Amidst nation-wide fears of the growing control of the European Union, a terrorist attack destroys a London school, killing children and anti-EU politician Dillon Tudor. With blame falling on an underground resistance movement, the English government calls a state-of-emergency and Europeans become outlaws overnight. In the aftermath, Sophia Tudor hunts those responsible for the death of her brother, as the head of the government's new enforcement agency. But when she is kidnapped and interrogated by the terrorists Sophia discovers that it can be difficult to separate your enemies from your allies.

India vs England is an upcoming Indian Kannada-language Romantic Thriller film directed by Nagathihalli Chandrashekar and produced by Y.N.Shankaregowda and several Non resident Indians from the UK and other countries. The film stars Vasishta Simha and Manvitha Harish. The film is set to release on 24 January 2020.

Six part series filmed around Manchester all looking at 6 different relationships. From the women who desperately wants a baby, to a couple who fantasise. Some excellent acting and intriguing stories. All episodes have discreet humour in them, and make gripping watching.

Six part series filmed around Manchester all looking at 6 different relationships. From the women who desperately wants a baby, to a couple who fantasise. Some excellent acting and intriguing stories. All episodes have discreet humour in them, and make gripping watching.