In Victorian-Era England, a Parish Councillor and criminal take refuge from a storm, at a remote countryside Inn. Forced to stay the night, they soon uncover a deadly pact between the strange Innkeepers and the flesh-hungry werewolves that inhabit the surrounding woodlands... now, as the werewolves close in, the guests must band together and fight tooth and nail to survive the night!

A deep dive exploration of the science and creativity in the making of 'Frequency'

American Documentary, narrated by Christopher Lee

The story of Henry Purcell.

Montreal’s Botanical Gardens are a storehouse of the wonders of nature. From all over the world scientists have gathered a living collection of plants and flowers, providing delight for the casual visitor and rich material for the student of botany. The actual process of plant growth is revealed for us by the time-lapse camera. We see a practical result of the botanist’s work in British Columbia’s important seed industry. Children, too, at the Montreal Botanical Gardens, cultivating their own plots of ground, take part in the quest for the secrets of nature.

The journey of She and Loverboy – a dealer of the sacred flower’s seeds. Led by the invisible force of the kidnapper, she is soon caught in a delusion of their strangely automatic, lonely honeymoon

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

With the worst team track record for penalties in the world when he takes over as manager, Gareth Southgate knows he needs to open his mind and face up to the years of hurt to take England back to the promised land. The country that gave the world football has delivered a painful pattern of loss. Why can't the England team win at their own game?

Black comedy scifi about a washed up TV presenter who doesn't let small things like alien invasions stop him from broadcasting.