In Victorian-Era England, a Parish Councillor and criminal take refuge from a storm, at a remote countryside Inn. Forced to stay the night, they soon uncover a deadly pact between the strange Innkeepers and the flesh-hungry werewolves that inhabit the surrounding woodlands... now, as the werewolves close in, the guests must band together and fight tooth and nail to survive the night!

American Documentary, narrated by Christopher Lee

The journey of She and Loverboy – a dealer of the sacred flower’s seeds. Led by the invisible force of the kidnapper, she is soon caught in a delusion of their strangely automatic, lonely honeymoon

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

Explosive bursts of fire open Technology/Transformation, an incendiary deconstruction of the ideology embedded in television form and pop cultural iconography. Appropriating imagery from the 1970s TV series Wonder Woman, Birnbaum isolates and repeats the moment of the "real" woman's symbolic transformation into super-hero. Entrapped in her magical metamorphosis by Birnbaum's stuttering edits, Wonder Woman spins dizzily like a music-box doll. Through radical manipulation of this female Pop icon, she subverts its meaning within the television text. Arresting the flow of images through fragmentation and repetition, Birnbaum condenses the comic-book narrative — Wonder Woman deflects bullets off her bracelets, "cuts" her throat in a hall of mirrors — distilling its essence to allow the subtext to emerge. In a further textual deconstruction, she spells out the words to the song Wonder Woman in Discoland on the screen. The lyrics' double entendres ("Get us out from under... Wonder Woman") reveal the sexual source of the superwoman's supposed empowerment: "Shake thy Wonder Maker." Writing about the "stutter-step progression of 'extended moments' of transformation from Wonder Woman," Birnbaum states, "The abbreviated narrative — running, spinning, saving a man — allows the underlying theme to surface: psychological transformation versus television product. Real becomes Wonder in order to "do good" (be moral) in an (a) or (im)moral society."

With the worst team track record for penalties in the world when he takes over as manager, Gareth Southgate knows he needs to open his mind and face up to the years of hurt to take England back to the promised land. The country that gave the world football has delivered a painful pattern of loss. Why can't the England team win at their own game?

Black comedy scifi about a washed up TV presenter who doesn't let small things like alien invasions stop him from broadcasting.

Amidst nation-wide fears of the growing control of the European Union, a terrorist attack destroys a London school, killing children and anti-EU politician Dillon Tudor. With blame falling on an underground resistance movement, the English government calls a state-of-emergency and Europeans become outlaws overnight. In the aftermath, Sophia Tudor hunts those responsible for the death of her brother, as the head of the government's new enforcement agency. But when she is kidnapped and interrogated by the terrorists Sophia discovers that it can be difficult to separate your enemies from your allies.

BBC host Chris Packham and wildlife cinematographer Bob Poole are joined by travel journalist Samantha Brown for this special PBS edition of the first-ever season of Autumnwatch produced in America. This series in three parts travels across the colorful landscapes of New England, meeting a cast of unforgettable wildlife characters, and experiencing some of the best autumn has to offer, including leaf gazing, pumpkin carving and cranberry harvesting. Local experts in food, wildlife, music, literature and history join the trio of hosts each night to showcase characteristics special to New England.

A portrait of Steven Patrick Morrissey and his early life in 1970s Manchester before he went on to become lead singer of seminal 1980s band The Smiths.